Frank Jarome Comic Reviews

The highest praise I can give this issue is that it made me want to dig out some of my own old Archie comics—and I’m seriously thinking about popping Army of Darkness into the Blu-ray player once the kiddo goes to bed tonight. It did exactly what the best comic books should: leave you wanting more and chomping at the bit for the next issue.

If you are a fan of the Evil Dead franchise, or just love fun comics that shouldn’t work but somehow do, give this book a shot. It both feels like a classic Archie book and one of Sam Raimi’s classic movies at the same time—two great tastes that taste great together.

I’m hoping the creative team can pull everything together in the finale without resorting to a “the Justice League shows up and saves the day—now let’s deal with that space plot before we run out of pages” type of ending. Keeping Batman Beyond and Static in print is great—they’re strong characters with dedicated followings—but I wish they were being featured in something just a little better than this.

Broken Mirror All in all, Batwoman #1 is a well-put-together comic that had me confused or off-balance for much of it, yet it left me intrigued enough to plan on grabbing the next issue and see where the story goes. My Darkseid fatigue is very real, so that is definitely a strike against the book, and I’m not sure if my lack of familiarity with the character was actually a blessing or a curse going into this issue. But even if I didn’t understand what was going on, there’s no denying that the creative team are putting their all into this book, an

The ties of the boy to the Children of the Woeful Eye, whose path frequently crosses with the path of Conan, connect him to the Cimmerian in a meaningful way. With Conan having recently prevented the efforts of the Eye to revive Thulsa Doom, the group is ready for revenge. The Son of the Tooth looks to be the perfect instrument for the task. I feel the audience is witnessing the start of what could be another epic tale featuring the greatest creation of Robert E. Howard, Conan the Barbarian. By Crom, I am all for it.

Month in and month out, this title is a highlight of my reading pile, and as long as Zub and company remain at the helm, I don’t see that changing anytime soon. Conan himself may be prone to gigantic melancholies and gigantic mirth, but when I read this comic each month, I just feel mirth.

If you can get on board with the “fresh start” approach, you’ll find a well-paced, well-drawn issue that sets the titular character up for some interesting adventures ahead, both in and out of costume. Daredevil might be everywhere right now, but when the content is this good, that’s not a bad thing at all.

Tying this story to “Welcome Back, Frank” continues to be a smart idea, as it anchors the story to a specific time and place in Marvel history while still leaving plenty of room to tell a tale in between the pages of that book. If the rest of the series can keep up the level of quality it’s shown so far, then the eventual collection of this miniseries just might earn a place next to that beloved series. And that’s something that I think even Matt Murdock and Frank Castle could agree on.

If you are a fan of either character, or you like the more gritty and grounded side of the Marvel Universe, or you just like good comics, you should check this book out. Again, it is not trying to change the world or anything like that. It is just trying to tell a good story. So far, it is succeeding. Three issues are down, and there are two to go. Fingers are crossed that they can stick the landing.

I have made no secret of the fact that I was not a fan at all of the last Daredevil ongoing series; it actually soured me a little bit on a character that I love so much. This miniseries has helped to rekindle my love of the character, and has made me more appreciative of a well-written Punisher as well. It has driven me to pull out some of my older Daredevil issues, and I have actually tracked down some Punisher books to read more about him. If that does not tell you that the creative team has done a great job with these characters, then I do not know what will. In the end, the penultimate fourth issue of Daredevil & Punisher: Devil’s Trigger is just a darn fine comic book, which knows what it wants to do and does it with skill and precision.

In the end, Devil’s Trigger #5 concludes this miniseries in grand fashion. it brings the storylines to a satisfying close while still leaving enough loose ends for a possible sequel in the future. The Punisher has been going through a bit of a renaissance recently, and it looks like Daredevil is poised to do the same. They may never see eye to eye on the methods or the scope of the missions, but even Daredevil and the Punisher can agree that this book is where the specific revival started.

End of Life #2 is a good issue that slows the pace down to really spend some time in the town of Pluto, where Eddie Stallion finds himself hiding out. It introduces a sizable cast of quirky characters who will either stick around for the long haul or be dead before you know it—and it does so while keeping the pacing solid and sneaking in some brutal action. With its “colorful” language and violence, it’s not going to be for everyone, but if that’s your cup of tea, you’ll find a lot here to like. We’re only two issues in so far,

If you haven’t been following the book to this point, you’re not going to jump in with a “Part 3 of 5” on the cover, but if you go back to Part 1 and start from there, you’ll be able to pick up enough to follow along and see if you like it. If you do, there’s plenty to go back and catch up on. I recommend the two “Codename G.I. Joe” deluxe hardcovers, they collect all of the initial setup miniseries, then you can get the trades of the main series and be pretty much caught up. Then you’ll know - and knowing is half the battle. (Come on, you knew I had to fit that in here somewhere!)

All of the Energon Universe books have been doing a good job of taking beloved old properties that were basically—let’s be honest—glorified toy commercials and turning them into something that has an edge, character, and, most importantly, heart. It’s quite a feat. If they can keep it up, and if Skybound doesn’t get carried away with crossovers or flooding the line with too many new books, they’ve got something truly special on their hands. Check it out if you haven’t already; it’s well worth the time.

The stage has been set for all sorts of interesting things to come in not only this book, but the rest of the Energon Universe as well. The future of G.I. Joe looks very bright, indeed.

Now that we’ve had a chance to catch our breath and have a laugh or two, it’s time to get serious again with Duke’s impending crashout. I’m excited and anxious to see where the book goes next, and am still waiting for the Arashikage ninja plots from the Scarlett miniseries to come into play somehow, but if Williamson and company can keep putting out books like this each time, I’ll keep coming back for more. The old Larry Hama-written Marvel comics are still the high-water mark for G.I. Joe comics, but given enough time, this book could give those a run for their money.

There are a lot of dominoes being set up in this book right now, and I am a bit concerned about how many of them do not even pertain to the Joe team at all. At the end of the day, the name of the book is still G.I. Joe, not Cobra or M.A.S.K., and so the team should always be the primary focus. I do not want the creative team to stray too far from that, and it feels like they are doing so a bit. In the end, G.I. Joe #19 brings the book further into the wider Energon Universe, but at the risk of losing its own identity. Hopefully, future issues can help the book reassert itself and get back a bit of what was making it work so well up to this point.

Now that G.I. Joe #20 has given us a moment we've long waited for - the first meeting of Duke and Optimus - the creative team can use this ending as a springboard for all sorts of new story potential. It will be interesting to see how the closer ties between the Energon Universe titles are handled going forward - will more characters pop in and out of each other’s books, or will they all largely stay in their own lanes with only occasional mentions of what the others are doing? It will be interesting to see find out, and to see where things go from here. All of the various threads that we laid out at the beginning are starting to be pulled closer together now, and when they all knot together, it should make for something big.

Untapped Potential Green Lantern #33 (Legacy #600) is a fun issue that accomplishes the delicate balancing act of being an anniversary celebration, while also serving as a fresh jumping-on point, and does a great job at both. The story of Kyle Rayner starting his new life on Earth, with a new mission, feels like a classic Kyle story, and the glimpse at the new trouble Hal Jordan has found is intriguing. The commentary on A.I. and art is a little heavy-handed, but it's also not wrong, so I can forgive it. The origin tales are too short to be more

Either way, this was a very good first issue. If you have any nostalgia for the X-Force property, are a fan of Cable, or if you like stories of rough men and women who make the hard choices so that good people do not have to, then this just might be the book for you.

None of this is to say that this is a “bad” comic. In fact, Inglorious X-Force #2 is a pretty solid book on the whole. It just isn’t using its cast or its central premise to the best of the creators’ abilities, and I find that to be a bit disappointing. It’s not enough to put me off the book yet, it just means that the end of each issue leaves me wanting - and not in the best possible way.

Inglorious X-Force #3 is easily the best issue of the series to date - not only does it bring in characters and elements from Nextwave, to great effect, but it has fantastic character work for the titular team, some great action, and it's funny as heck. It took a little bit of time to get the pieces in the right place and unlock the "secret sauce" for working with this cast, but now that they found it, this book is going to be on fire. More of this, please.

All in all, these stories add up to three solid hits with no misses. That is a really good result for an anthology book, which is generally a mixed bag. But like Logan himself, these creative teams are the best there are at what they do — only in this case, what they do is make some fine comic books.

Time period complaints aside, these stories are a solid encapsulation of Logan as a character. If you’re already a fan, you’ll find plenty to enjoy here. If you’re not, I’m not sure these will be the hook that converts you, but you won't feel like you’ve wasted your time. Either way, it’s a bloody good time.

On the whole, Logan: Black, White, and Blood #3 was another strong installment, delivering one standout tale and two very good ones, all of which showcased different facets of Logan’s character and included bursts of bloody violence. In an anthology title, you expect the stories to be a mixed bag with highs and lows, so to have two out of the three stories released thus far be this strong is quite an accomplishment. But then again, I shouldn’t expect anything less from someone who’s been around as long, and seen as much, as Logan. Good stuff here. If the various creative teams in future issues can maintain this level of quality, this could be remembered as one of the ol’ Canucklehead’s better and more varied outings.

This issue breaks from that trend, giving us a monster tale, a “mirror match” fight, and some far-future weirdness. I give the creators credit for trying different things, but most of it just didn’t land for me.

The team of MacKay, Pramanik, and Rosenberg are at the top of their game here, clearly building some big plans and showing no sign of running out of steam anytime soon. The Fist of Khonshu remains in good hands, even as his are wrapped around the necks of his foes. Just how he likes it.

None of this is enough to suddenly make me a full-on Punisher fan, but it is enough to say that I genuinely enjoyed my time with this book and am actually looking forward to seeing how it all wraps up.

Going back to my food analogy from above—Marc Spector: Moon Knight #1 isn’t the best meal that this creative team has ever prepared, but even their “off” servings like this issue are still an absolutely enjoyable experience that should keep you coming back for more.

I don’t know how much longer this run will go on for, or how many more times it’ll get relaunched before it’s over, but as long as MacKay and company keep the quality up, I’ll be there for every moment of it. Hopefully you are too. If enough of us join the Midnight Mission, maybe Marvel will let the journey continue for a while longer.

If you’re a fan of the Fantastic Four, the Planet of the Apes movies, or—better yet—both, I think you’ll have a great time with this issue, even if the title is quite the mouthful. It’s a madhouse! A madhouse!

Overall, Planet of the Apes versus Fantastic Four #2 is a step down from the first issue in terms of overall quality, though it still delivers enough of an interesting story to keep readers coming back for the next installment.

I have mentioned in the past that I am not the biggest fan of the Punisher as a character. However, I have to admit that between books like Devil’s Trigger and now the start to this new series, I am gaining a new appreciation for him. He is still not going to crack my Top Ten anytime soon, but I better understand his appeal and why he has lasted for so long. And in the world of today, who does not want to see the worst of the worst meet a horrible end every once in a while?

Hostile Takeover The Punisher #2 is a solid issue that slows the pace down and takes its time deliving into just what is wrong with Frank Castle, while at the same time showing the next steps that Jigsaw is taking to achieve his goals. Time is spent with each of our leads that establishes their unique struggles, and the stage is set for their paths to start to cross. It will be interesting to see what sides they all end up on in the end. If Frank Castle can get his head screwed back on straight, I'll put my money on whatever side he's on.

The Punisher Red Band series has not been a bad book. It is just not really anything special either. Its continuity is shaky, the language issue is very distracting, and frankly, the Red Band violence is just a gimmick. This is further illustrated by the fact that the ongoing series will not be a Red Band title. If you are a big fan of the Punisher, you will be thrilled at seeing him explode heads and shove people into the backs of garbage trucks. If you can take or leave the character, nothing here is going to change your mind.

There are some interesting ideas in place leading into the ongoing series, which won't carry the gratuitous Red Band label; perhaps the storytelling will work a little better there. In today’s world, Frank Castle remains incredibly relevant, so it’s definitely the right time to have brought him back. In the words of a much better Punisher story: "Welcome Back, Frank."

If you like your comics “easy” and paint-by-numbers, this is not the book for you. But if you want something that is off the beaten path, something that will make you think and maybe even feel, then give The Sentry a shot.

That’s what this book is. I feel like I’m starting to repeat myself, so I’ll finish with this: please, give Spirit of the Shadows a shot. No matter what your taste, I really do think you’ll find something in here that you’ll like. If you do, I’d love to hear about it.

Some of the story beats are a little rote or predictable, but before you can think about being bored, the creators hit you with a twist or turn that flips the whole thing on its head. It is hard to remember that this creative team has very few comic credits to their name. If they are cranking out this level of quality already, just imagine what they will be able to do once they have built up some more experience. We may only be two issues in, and it is only February, but I already know that Spirit of the Shadows is going to be on my list for best books of the year.

Spirit of the Shadows #3 is another terrific issue, full of new revelations, twists, turns, and the promise of more craziness to come, brought to you by a creative team that know exactly how they want the book to look and feel, and pull it off in style. People are going to get tired of me telling them that they need to check this book out - and since each issue keeps going back to press for more printings, it seems like more people are - but I just love this book. It's unlike anything else on the shelves, with a story that continues to peel back more and more layers with each new reveal, plus art and coloring that is like the best possible fusion of classic Kirby style and modern sensibilities. Each new issue is an absolute highlight of my reading pile for that week, and this issue is no exception.

I am looking forward to seeing where the rest of this series goes. It has me more excited for the launch of the Disney+ series in April. If that is not the job of a prequel story, which is to get the reader more excited for the series proper, then what is?

All in all, much like my history with the show, the first issue left me wondering if this book was for me, but then the second issue changed my perspective and now I’m on board. If you are a fan of the show (and given its streaming numbers, there are a lot of you out there), or if you just like good done-in-one stories with a more supernatural bent, check this book out. I’d like for it to last a bit longer than most licensed books do, so that it can have some time to really hit its stride. There aren’t enough books out there, licensed or not, with single-issue stories anymore, so even if this isn’t your usual cup of tea, maybe still give it a look.

Given Greg Pak’s comics pedigree, my hopes were a little higher that the series would hit harder right out of the gate; however, there are the restraints of working within a licensed property that need to be considered as well. I still think it is a good adaptation of the show and a solid extension of the stories told within, and it is much better than most of the novels that they have put out. Some of those were just dire. I would still recommend it to anyone who is a fan of the show and looking for more stories featuring Sam and Dean; I would just caution them to temper their expectations a bit while the creative team finds its footing.

Will this book be remembered in the same way as seasons one through five of the show, or will it be regarded more like season seven (the Leviathans were not very good)? Only time will tell.

This issue would be a good one to hand to a fan of the show who is hungry for more content and has not checked the comics out yet. Sure, it is part of the ongoing tale the book has been building, but it tells a good stand-alone story that has its own beginning, middle, and end within these pages. If the creative team can take what they have done here and continue to build on it, I think this book will finally start to consistently meet its potential.

D.A.R.E Supernatural #6 is a solid issue that starts to show the overall story the series is telling by bringing all the various threads of the together, but it's brought down a bit by some unexplained changes in characterization and the usual too-fast pacing. This series remains a fun-enough book that works as a fresh dose of new Supernatural stories, but other than a few elements (John Winchester's journal, mentions of Sam's "sixth sense"), it being set in the first two seasons has been nothing more than window dressing. I still wish they were

Chocolates are synonymous with Valentine’s Day, and as Forrest Gump famously said, “Life is like a box of chocolates; you never know what you’re gonna get.” Well, in this case, you actually do know. You’re getting a solid story that will make fans feel right at home and might even inspire newcomers to finally check out the series.

There is potential for the story to be a more serious science fiction tale like The Expanse, or a more pulpy adventure in the vein of Flash Gordon. This latter direction is probably more likely, given the art style and the magical elements. Not knowing which direction things might go in is exciting, and it is one more reason to check back in for the next issue. The story of Mark Mitchell and Stacy Pulkowski and their quest to find the missing Joey is a compelling one. If future issues can keep up this level of quality, this will be a book to watch.

Hopefully, all the preamble has been worked through now, and the next issue gets the main show on the road, or else things might start to wear out their welcome. And we don’t want that. There’s still a ton of potential in the core concept of this book, and if the team plays their cards right, then when all is said and done, we should end up with a fun story from start to finish.

The New Space Age #3 shows that the whole creative team is firing on all cylinders. They have delivered a product that is visually spectacular but still has a beating heart underneath all the spectacle. All the setup to this point has paid off, giving us some great science fiction in the moment. Then, the combination of the discovery of Mark and the betrayal of Bobby turns the whole thing on its head and leaves us wondering where the story is going to go next. If y

The New Space Age #4 is a great issue that puts all the pieces in place for one heck of a finale - the miltiary and their prototype, the continuing search for Joey, the question of whether humanity is actually ready to travel beyond the stars are all posed and need to be answered before the end. This series may have started out as the story of a man's quest to find his long-lost brother, but it's turned into a tale of what it takes for a man to forgive himself, and to prove that like him, humanity is more than it seems to be (and can be even more still). The best science fiction always makes you think or feel, and The New Space Age is the kind of book that has no problem doing just that.

The story is starting to feel a little stretched out, though, which isn’t anything new in the age of “write for the trade.” Four-or-five-issue arcs make for nice, tidy collections, after all. That’s just a reality of the business, so I can live with it. I really do wish that things felt a bit more “pulpy,” though. I dunno. Maybe the old pulp aesthetics just don’t work as well in the modern day, or maybe less time in the Phantom’s head and a slightly faster pace would do the trick.

If you have not checked out The Phantom yet, this is a good, solid issue to do so with. It is an interesting take on the Die Hard scenario while taking the story in directions beyond what you would expect for such a tale. If you were already checking out the book and were starting to see your interest wane a bit, this issue should go a long way toward recapturing your attention. Although he looks to be down for the count right now, the Ghost Who Walks will be back again, one way or the other. Let us hope he gets back on his feet before it is too late and that you are here to greet him.

In the end, you won’t find any surprises in the pages of The Phantom #5, but if you like old-school pulp stories, you’ll find something to enjoy in what the creative team is laying down here.

It is too soon to tell if this miniseries will hold the same place in my heart that the 1991 movie does, but The Rocketeer: The Island is off to a good start here, and I cannot wait to see where it goes next.

Darn it, Chip. It looks like you got me invested in the lead-up to Marvel’s next big event. Well, maybe not the Red Hulk parts—but still, well done.